quiet. tactile. considered.
origin
everything starts with a memory.
my practice began in july 2025, in honour of my mother, who made my life as a full-time artist possible
my mother’s experience of the second world war fostered a deep respect for what she had and what was available, an understanding of how to make do, together with an unwavering unwillingness to waste — values she instilled in me, alongside an appreciation for imperfection and the ability to recognise worth and salvageability in everything
this ethos has become the backbone of how i live, extending far beyond my practice
— this is where the work begins.
the work
every piece begins long before the making.
i have always believed that material should not be discarded because its original purpose has ended
selected remnants of paper, thread and yarn are gathered from earlier works and accumulated over weeks, sometimes months
my work is born from a long-held commitment to considered reuse — an intentional process that relies on patience and discipline
— devotion in practice.
resonance
some stories should remain silent.
the narrative behind each work is left untold, allowing it to remain open to interpretation
i will not tell someone how the work should be seen, what it should evoke or how it should make them feel. i hope something within each
piece — a texture, tone or atmosphere — feels familiar, stirs a memory and resonates with something held quietly within the viewer
that connection need not resemble my own
— it belongs to whoever finds it.
connection
some conversations begin with a work that lingers.
if you would like to know more about a particular piece or have a question about the work,
please get in touch
